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Nebula Zone Recording (General Discussion)
Chris (2009-06-22 14:00:28)

PHILLY HIP HOP SHOW OPPORTUNITIES?? (Hip-Hop/R&B)
Mikey Spitz (2009-06-18 11:10:39)

MIKEY SPITZ N DIABOLEEK LIVE SHOW 7-25 @ The M ROOM (Hip-Hop/R&B)
Mikey Spitz (2009-06-18 11:02:23)

Win Sold Out Tix to Brand New!! (General Discussion)
Radio 104.5 (2009-06-16 13:37:37)

The User Profiles page has been made searchable and will now display 50 profiles per page; this should make the list much more usable. The search field will search user names, hometowns, and instruments played.
--Tim
 

"Over a lifetime, you're likely to eat ten spiders in your sleep," she prattles off, noodling away from behind a shiny Deering banjo. It's a line that Maria Cahill has explained a thousand times before, but her grin at the way people react to it never diminishes. Her little tirade of facts continues, "…and it takes someone seventeen times of hearing something before they recognize and accept it…"

With Ten Spiders, it only took me once.

The husband-wife team at the core of the band, Maria and Steve Cahill, begged me not to divulge the beginnings of this latest incarnation of their music…but there's no denying their solid roots. "We sucked," they admitted through a pair of knowing smiles. Hard to believe, hearing them today. Steve began playing music in a youth folk club, and has heavily influenced by the work of those like Phil Lesh, and now has an unbreakably smooth groove, often wandering up the neck of his Rickenbacker to add to the depth of the music. Maria studied banjo technique under Tony Trischka, whose students include alt-jazz icon Bèla Fleck and "New American Roots" 5-string guru Tony Furtado. But to hear her talk, you'd never know it. An often-heard refrain on the bandstand is, "Hey, you think you got it bad? I play the banjo!" Self-deprecating humor aside, it is hard to convince people that banjo players are useful outside West Virginia. Especially in non-country crowds. "All I ever wanted to do was play festivals. I never cared about radio play or a record deal. All this is secondary to being able to play live…"

And live is where this ensemble shines, their jams ranging from the interesting to the transcendent. Maria's powerful voice rarely needs amplification, belting out her tunes with her soul bared to the world (and her feet usually bare as well). These days, at the center of many of Ten Spiders' live treatments (symbolically speaking, of course…he stands in back) is a recent addition to the onstage line-up, guest doumbek player Hoagy Wing. His background in Middle Eastern percussion lends an even more unique sound to this already diverse line-up of Banjo (Maria), Electric Bass (Steve), Guitars (Mark Unruh) and drum kit (John Gannon). Particularly interesting are the recent developments of a symbiotic groove that seem to be appearing between John and Hoagy, percussion playing off one another like some kind of drummer with two brains. (Hey, it's hard enough to find percussionists with one brain…)

This tribe of five (sometimes four) is fresh out of the studio with their second self-released album, Sun's Glow. More experimental and open-styled than 1997's Midnight Snack, Glow showcases the group's willingness to expand in new, interesting directions. One notable guest is Pete Rhee, a fiddler who toured with the Page & Plant tour. He lends an evocatively celtic feel to several of the tracks. Another first with this newest release is the introduction of Steve Cahill in a new role: lead vocalist. "Yeah," says Steve, a wry and sheepish smile passing over his bearded face, "They've taken a chance on letting me do my thing on 'Maya'." The result is a finely-crafted, sometimes haunting tune that casts a lilting pall over the end of a usually-upbeat album, tied together with a banjo hook that draws you into the center of the tune, wrapping you in layers of warm, resonating sound. Another standout is the lovely (but somewhat cynical and sad, lyrically speaking) melody of "All About You."

The group's well-constructed three-part harmonies and multi-part syncopation are a hallmark of their professionalism and style. In the studio, Ten Spiders has a solid groove and a lineup of impressive guests. But live, they're truly something to behold. A recent show at the Concord Café in Aston, PA showed the Spiders' full range of talents. One of the highlights of that show was their performance of "Needles Unseen", one of their older tunes, segueing neatly through a percussion duel into a cover of Al Green's "Take Me To The River."

Sun's Glow is slated to be released on the Big Prank label in August, to coincide with their four-state mini-tour of the South (multiple shows in Georgia, Florida, and both Carolinas). It's available at any of their shows, or via their website at www.TenSpiders.com.